Monday, December 5, 2022
Friday, December 2, 2022
Wednesday, November 30, 2022
Monday, November 28, 2022
A new Home for Adam & Eve...
Here's the latest Adam & Eve but they now have a new home. It's largely under construction, but the thrice weekly updates will appear and the character sheet is live too. You can find it here at the Adam & Eve Comic
Friday, November 25, 2022
Adam & Eve 602 Shark Attack
Welcome to the weekend and Adam & Eve's last cartoon of the week. Please feel free to share on your social media pages. Just because I can't doest mean you shouldn't.
Thursday, November 24, 2022
Adam & Eve...New beginnings
Well, technically not a new beginning; more like a continuation of what was happening on my social media pages: when I had social media pages.
Confused? Follow this Link to my YouTube video that explains it all. But in the meantime, this is the temporary new home for Adam & Eve three times a week.
Adam & Eve is also available on Webtoons
Friday, December 24, 2021
the 12 Days of Sleepy Hamlet
Over on my Facelessbook page and its Sleepy Hamlet sister page, I have run a 12-day Sleepy Hamlet mini-story, and for those who like to digest it all in one sitting as opposed to daily episodes here, it is in its glorious entirety.
I hope you all have a very Merry Christmas.
Monday, March 15, 2021
Adding a New Character
The introduction of any new character can be a worryingly heavy burden on the sensitive, creative mind.
Not the drink. That's never been a problem.
Yet this is the very problem that faced me (once again, not the drink. The whole 'not-getting-sued-bit.' All clear now? Right, continue). I had created what I believed to be a great new addition to my Adam & Eve comic strip, a character that was different enough to add a whole new direction to the comic and, most importantly, a new stream of gags and material.
My new character was going to highlight the anomalies of the internet and social media. To hold up a mirror to the absurdities of the more dubious sides of the web and wag a mocking finger at the odd balls and idiots who cause it. The internet is a huge subject and one that I have been trying to into my strip for a long time.
My problem was that Adam & Eve is set, effectively, at the beginning of time and so far as I am aware, no computers have been dug up or discovered next to any of the bones of early man. But the web is such a big part of everyone's lives that to miss out on referring to it was, well, too big an opportunity to pass up.
So I created Googol.
And that was the problem.
Actually, there was no problem with the character, just his name.
The second I created the idea I just knew I wanted to call him Google. It said it all. Google being the most recognised feature of the internet. Google being a font of all knowledge---dubious or otherwise--- Google is, to most people, the face of the internet.
But to call a character Google would be to potentially incur the wrath of a giant. A giant, admittedly that knew nothing of my insignificant existence, but a giant non the less. I knew that if I ever wanted to grow this comic strip to such a point that it was a source of income for me, then this character could be the cause of its downfall.
So I sat on it.
I sat in it for a year.
Then I read an article, an article that told the story behind the name Google, and the clouds parted, a ray of sunshine hit my fevered brow and said; 'Now is your time my boy. Go forth and populate the world with giggles'. I said to the ray of sunshine 'Giggles? Have to read the drivel I come up with? And the rays of sunshine muttered amongst itself for a while then said 'Well, yes we have. Just do your best and DON'T SPOIL THE MOMENT. WE ARE RAYS OF SUNSHINE AND THIS IS WHAT WE DO YOU INSUFFERABLE LITTLE INGRATE!!'
Well something like that.
It turns out that when the original owners of Google were casting around for a name they came up with Googol, which meant: the Figure 1 followed by 100 zeros. Basically it's a very complicated mathematical thing, but to the Google guys and girls it was ideal, because it meant an infinite number of possibilities which was what they wanted their search engine to provide.
So they sent someone up to register the name. Unfortunately that person spent a large portion of their time in the registry office misspelling the word 'Googol' and put down Google instead, the rest is dyslexic history.
Okay, very interesting right? Too darn right it was. It meant that I could, theoretically, use the correct spelling of the word for my character and hopefully see off any future lawsuits from the...er...legal suits. Because I'm pretty sure you cannot own a word. Didn't that Hilton creature try and own the term 'that's Hot' and ban the world from using it? And we all know how that worked out for her.
So now I only have to worry about the day that I'm big enough and successful enough to be noticed by Google and hope that they see the funny side. Oh, and I have to make it big and on that point...
Any suggestions?
Anyway, here's a few samples of the sage himself, not that being classified a sage in Adam & Eve's little Eden is much of an accolade.
If you would like to see more Adam & Eve then click here, and subscribe. Or scan the QR Code ad do the same.
Thursday, December 3, 2020
The Idiot and the Internet
Yes this is a beautiful picture. The photographer, whoever's he or she is, did a stunning job on capturing the light as it danced and merrily tickled the autumnal reds of a classic Scottish Highland scene.
Monday, November 30, 2020
The Rise & Fall of the Yappy-Dog- An Adam & Eve Mini Story.
It's very heart warming to realise that the characters you have created seem, on some level, to touch your readers in a very personal way. And in my most recent story arc, that point come to the fore.
Saturday, November 21, 2020
Latest Book
A short but incredibly sweet post.
I have published my first collection of cartoons from my thrice weekly comic strip Adam & Eve.
There you go. That was very short and very sweet. Below are a few sample pages from the book and if you want to see more of what I have published then please visit my store.
So until next time, have fun, click and buy and support the arts...well the arts that I'm doing anyway.
Friday, November 13, 2020
Backlog of Videos
I've been working on my YouTube channel for quite some time now and at last--or should I say over the last few months---I've been producing fairly regular videos.
Below are a selection of the them. If you like what you see, why not hop over and subscribe.
Or stay here, I'm all over the place now, you know.
Hope you enjoy them and keep coming back for more.
Wednesday, November 11, 2020
WIX a load of rubbish
I am indeed back. Back from the dark and confusing world of the paid for website and blog.
Saturday, November 24, 2018
Adam & Eve get their first calendar
Adam & Eve really is a simple concept. The panel strip documents the daily doings of Adam & Eve as they reach middle age and the realisation that the magic has well and truly gone from their marriage.
It's a family strip with a twist, their only other companions are a resigned snake, who is an unwilling companion to their troublesome lives and God, an inventor who is already beginning to have serious regrets.
For years I had tried to come up with clever cartoon ideas and concepts but always drew a blank, and met with a massive wall of personal frustration and an industry wide indifference. But when I threw these two marital misfits into a cartoon one day, something happened and my readers were not slow in letting me know about it.
When it comes right down to it, relationship jokes, the battle of the sexes, family complications and laughing at those less maritally fortunate than our selves, have always been, and probably always will be, the one thing virtually all of us have in common.
I get it. I know. I can't see Adam & Eve becoming the next big syndication gold mine; let's face it, there won't be that many editors willing to run a strip with a religious theme, no matter how mild it may be. But as an Internet cartoon and with CreateSpace and other such publishing platforms and the increased support of the public, you never know what trouble we may be able to cause between us.
So for the foreseeable future I will be making Adam & Eve my regular comic feature, and I hope you will wish to join in it's merry band of fans and followers.
That said, and this only meaning to be a short post, I will shut up and let you view a few sample pages of the first ever Adam & Eve calendar.
And if you would like to purchase one, email me and I will see what I can do.
Enjoy
Wednesday, November 14, 2018
Caricature Commission- Tutorial
Anyway, onto today's tutorial.
I have been producing watercolour caricatures for over thirty years now. Admittedly it hasn't been my primary source of income, but over the years I must've produced a couple of hundred private commissions.
I've always found that they make excellent Birthday, Christmas, Wedding and retirement gifts
This caricature was a retirement gift for a chap called Kevin, who works for a customer of mine, the Dalesman Magazine
Now for those of you who have seen my other tutorials on a variety of themes, you will know how I like to break the process down into stages--- just in case there are any of you out there who may just want to have a crack at doing one themselves.
So if you're not too bored of seeing all these stages by now, then sit back and lets go through it again.
Right. First off I get the photo sent to me along with as much information about the study as is possible. In Kevin's case he was an avid walker of the Yorkshire Dales.
He also liked taking groups out, loved his football, wrote a supplement for the Dalesman called 'Down out Way and was a very keen gardener.
Armed with this I produced a rough of Kevin and the scene I thought would work well, and emailed it to the client. They loved it and gave me the green light.
Normally the first stage I show in these tutorials is the pencil art and the masking, but for some reason, best known to the God of cartoonists, I either forgot it, or misplaced it...either is more possible than you would think. Sometimes the thing will even dissappear while I'm using it as reference: don't ask, I really don't know the answer.But here's a picture of my rather messy watercolour plate, which, for some reason, I did remember to take a photo of. Obviously the God of messy watercolour plates was on the ball that day and is probably the one responsible for the poking sensation in my ribs that only went away when I picked up the camera..
But in the absence of a photo here's what I did: I pencilled the art onto a heavy watercolour paper (you need a heavy paper so as to soak up the large washes without too much crinkling), then I masked out the main character and anything else I didn't want to have to fiddle around when putting the background washes down.
NOW we can move onto the pictures again.
I mixed a pale blue wash using Cobalt blue and the lightest dab of ultramarine for depth, wet the paper with clean water, allowed it to dry to a sheen then placed the blue to about three quarters of the way down to the horizon. (note: when working on a wet surface, the colour you chose will be a lot lighter as its being diluted. Watercolour paint always dries lighter anyway, but when being placed over a damp surface it dries EVEN lighter...so be aware and compensate on your mixes)
I then mixed a little bright orange and cadmium red and watered it down and placed that beneath the almost dry blue. This little touch of pinky red gave the painting a nice, fresh, cool morning feel to the painting.
For this picture, and I've no idea why it was so important, I painted all the flesh tones in, all the way up to their final stages.
Because I was obviously in the zone, and wished to complete every stage of the painting to its end before moving onto the next bit---something I never normally do--- I just plodded on; finishing skin tones, grass, walls, fields... well you get the picture; sometimes it seems the only discipline I have is the lack of one.
I guess the beauty of having completed each stage so thoroughly is that when it came to selecting the colour of the characters, it became really easy to see what would work in making them pop out against the rest of the painting.
All in all, I was really very happy with the overall balance of composition and colour for this picture, and it remains, to this day, one of my most favourite caricature paintings.
Once I feel I've finished the painting I walk away---have a cup of tea, go for a walk, cook some food---anything that clears my mind for about an hour. Then I come back with fresh eyes and see what I may have missed. In this case it was the extra dark shadows.
Then it's just a case of inking the characters, lettering where needed, tear the masking tape off to reveal those nice, crisp lines, package it up and dispatching it to the customer.
Then onto the next job.
I hope this, like all my tutorials help you in some way, or just entertain. That said, I hope to see you all back here soon on the Diary of a Cartoonist & Writer.
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