Showing posts with label how to draw cartoons. Show all posts
Showing posts with label how to draw cartoons. Show all posts

Wednesday, April 13, 2016

How to Draw a Cartoon Lion---Part II the body

Here we are again, part II of my latest project. A book on how to draw cartoons; although the working title is sounding more like. 'How would you like to draw cartoons like this?'(with a very busy and intricate picture below).

At this stage I'm still looking for a look and layout for the book. So please do forgive me if the pages tend to chop and change in appearance.

Also this is a 'back-burner' project. Don't get me wrong, it's not like I don't consider this project worthy of my every waking second, but time, work and more pressing commissions have forced it into the relegation zone and afforded it its 'back-burner' status.

But seeing as this is a diary of my life as a cartoonist and writer, I will be letting you know about all this project and the many other I have on the go, both commissioned and private; like the New Comic Strip Submission series that I'm running. (part III to be posted on this Friday coming).

So with that explained and out of the way, let's move on into the horizon of a bright new future with the second section on How to Draw a Lion (to enlarge the picture, click on the image and open it, full size, in another pane). This one deals with the drawing of the Lion's body; having shown you all how to draw the head last week.

Have fun, have a go, and send me samples of what you get up to. (For those professional cartoonists amongst you, this is your turn to act all smug and pull out the 'been there, done that' T-Shirt).

Click on image to enlarge

Next Wednesday I'll be showing you the progress I'm making on a new Rugby poster design. I'm hoping to be showing you the background sketches and the process I now use to put these heavily involved pictures together and how my system has changed over the years.

I sincerely hope you enjoyed this post. If you did then please share it like a demented sharing person and keep on coming back for more of the same, and a whole lot besides.

Friday, November 9, 2012

Drawing a cartoon vulture

Aaaaaand here's the second post as promised. I know I'm not always the most trustworthy of people when it comes to giving you a second post on the date I promised it, but today, I am that 'trustworthy' person.

Okay so this is it, in today's tutorial I teach you how to draw a vulture...that's it. Simple really; not much else I can say; so I'll shut up and let you go grab a pencil and impress the hell out of yourselves.

Thursday, November 8, 2012

Colouring the Caricature

First off you're gonna get two posts this week..BLAM, BLAM! That's two; not one...TWO. One's going to be a tutorial and the other isn't.

The one that isn't is this one. Its not a tutorial but then it could be seen as a tutorial. It shows you how I did a caricature, or the process I went through to colour it.

It's not about how to do a caricature as to be honest, I don't know how I do it; To be absolutely and brutally honest, I just look at peoples' faces and think: Big nose, fat lips, big ears, weird hair, etc. But if you do glean anything from this piece then it will be---for you at least---a tutorial. If you can also understand any of the above drivel then please award yourself a beverage of your choice and sit back and enjoy the nice free pretty pictures from a blog post I called 'Colouring the Caricature'

Pretty uninspiring I know but it was 1:30 in the morning and I was very tired.










1.First thing your going to need is watercolours...lots of them (well it is a watercolour picture and if you were thinking of bringing oils, well quite frankly you're probably enough of  a worry to your family and shouldn't be allowed objects that you could poke yourself in the eye with)

I use Daler Rowney Gouache and water colour tubes and daylon brushes. The mixing dishes below are for the large background washes
















 2. Now I add the rubber based masking fluid to the images. I do this as I still can't be trusted to paint around the lines. That and the fact that the next stage is to wet the whole page with a natural artist sponge (not to be confused with the one you use in the bath for your hands knees and private bits)










3. The reason why I dampen the paper is when I place the background layer---in this case blue--- it covers the page a lot more evenly and you can get some pretty terrific gradient effects...not that I used any here, but take my word for it, you can





4. When the background is well and truly dry, peel off the masking fluid.

From here I usually work on the face first as this is the obvious focal point to the picture. I start with a basic flesh tone and build up the layers; in this case I used Naples Yellow and darkened it with a bit of blue and red mix for a nice shade of wine.

*A good point. When producing shadows, most people just use a darker version of the colour they are using, but a top tip is this: Mix a nice wash of ultramarine blue and red to make a soft wine pigment and place this over any colour you care to name and it will automatically look like the natural shade of that colour. Its an amazing fact and the chameleon like qualities of these two colours never ceases to amaze me.


5. After working on the flesh I normally put a base washes down for all the colours I'm going to use. This gives me a good look and sense of how the colours are going to balance off against each other.



6. Having laid down the washes I begin to build up the layers. Always decide where the light is coming from at the very beginning of the painting and adhere to it with every colour you lay down.

7. Once all the shading is completed and the paint fully dry, I go around the outer edges of the character with a No.1 Brush. I do this because when I go in later with the much thinner dip pen, there will be a noticeable contrast in the lines and this gives the final picture a pleasing effect.


8. The point I made above should now be very evident, as I render the rest of the painting with my Gelliot 303 nib and Windsor and Newton Black India Ink.


9. I then sign it, remove the masking tape and the caricature is now completed.

Hope you enjoyed this behind-the-scenes look into my working methods. If you did, come back for more, and don't forget tomorrows video tutorial on how to draw a cartoon vulture.

If you like my blog and the things that I say and do, please tell your friends, mention me on Facebook, Twitter and any of the other fine social media networking sites. I would love to have my work reach a much larger audience and although I could no doubt eventually get there under my own steam, I'll get there a lot quicker with your help, so please, please spread the word.

Thank you

Karl

Friday, November 2, 2012

This Little 'Piggy' went to YouTube

I haven't produced a cartoon tutorial for quite some time, so I thought today, with the weekend looming and pencils easier to find, it could be a good time to give you another 'How to' video.

And because I realise that not everyone who visits my blog is a proffessional cartoonist, I'm going to start a series of tutorials--- available on my YouTube page as well--- where you can regularly go and catch up, or sit back and be entertained; whichever takes your fancy.

I do have a whole load of other tutorials up there, but due to some weird YouTubian glitch, when I last went to sign in, it forced me to open up a new account and start all over again. But if you wish to see my other tutorials, either go to my tutorials tab which is up above this post or just click here and go view the page that I can no longer access.




This particular tutorial is aimed at those of you out there who just want to learn a neat trick on how to produce a nice looking cartoon while using only simple shapes. There's also a tutorial on how to draw a cartoon elephant using the same simple shape technique on there.

So have fun and send me in your samples, it's always good to see your work.

Cheers

Karl


By the way, if you are in need of books, DVD's, games, electrical goods and you're going to use Amazon to buy them, please click onto it through my site on the banner advert to your right; for every person that does I get a payment from Amazon, and if you order from that click then I get a commission on what you buy. It doesn't cost you a single penny extra but it does help fund this blog, enabling me to carry on giving you free cartoon advice and stories.

Please remember, every click you make helps me entertain you! Thank you

Tuesday, October 30, 2012

Colouring an editorial cartoon in Photoshop

If we go way back, and by way back I mean waaaaaay back, some of the more persistent members of my little coterie will remember that I published a post called how to draw an editorial cartoon and I seem to remember making some vague threat that I'd be posting another tutorial---probably the next week if I'm true to form---about how I colour it using Photoshop.

Well, the good news is, boys and girls, that week has finally arrived; I have completed it and here it is. Well, to be honest with you, I completed it a while ago; on the day I drew the cartoon to be absolutely accurate; but its taken me until now to find it---due to the fact that there's an awful lot of work on my hard drive and I can never remember what I name these damned things and so generally loose them to the ether within seconds of saving them. So in the grand tradition of all things of this nature, I found it yesterday while looking for something completely different...which, for the record, I didn't find.

Anyhoo, that's enough about me and my lackadaisical attitude to tidiness and tardiness. Lets get onto it shall we; lets get onto the second post, the one in which I show you my process in colouring an editorial cartoon in Photoshop.






1: First off I scan the cartoon into Photoshop, selecting Black and white and 300 dpi as its resolution. Once I've  previewed it I use the marque tool (the bounding box of broken lines that surrounds it), then I click scan.












2: Once the cartoon appears, I select the eraser tool (see highlighted) and start removing all the black dots and imperfections; making very sure that I don't rub out anything important to the finished cartoon.









3: Once the cartoon has been cleaned up its time to create layers. So first off I go to images+mode+greyscale. Then go through the same process again images+mode but this time select CMYK. (if the cartoon is purely for the net you can chose RGB---more about that later)


Once you've completed that click on the 'new layer' tab (highlighted) and in the box that says 'Normal' change it to Multiply.






4: Next choose the'pencil' tool, select '1' as the ratio, and connect the broken lines. I do this because when I apply the 'paint bucket' tool, and if there are any gaps, the colour will flood out all over your mini masterpiece.










6: Now start filling in the picture with colours of your choice.

If you only want solid colours then your picture will soon be complete, but if, like me, you like to give your images a little more substance, then in the next part we see how I personally build up the colour layers with just a mouse and no tablet




7: First off select the colour you want to shade. In this case I chose the flesh tint. Once you've clicked on it with the 'magic wand tool' then un-tick the 'contiguous' box on the bar above. This will ensure that Photoshop now only recognises the areas that have flesh colour in it (or what ever colour you chose); in other words, if you accidentally went over the edge of the flesh area, the pen or air-brush tool wouldn't make a mess of any neighbouring colours.



7: If you don't want the dotted lines running around the perimeters of your selected colour, select Ctrl+H and they will stay hidden.

Now chose which direction the light is coming from and with the 'Pencil Tool' define the delineation  lines. Once that's done to all the areas of the colour you've selected, hit the shaded side of the lines with the 'Paint-Bucket' tool.

Once completed you must press Ctrl+D to make sure the 'Magic-Wand' tool has been deselected before moving onto your next colour.
Follow this process on until your cartoon is complete.


8: And that is pretty much it. The cartoon has been coloured, save it as a JPeg for the newspapers or what ever format is required, and name it. (that's when things normally go pear shaped and I lose the whole file)

On another note. If you wish to put your work up on the net and you upload it in CMYK, all the colours will look garish and horrible. So to avoid this happening you will have to re-save it as an RGB. That way when you put your masterpiece up on your Facebook or Twitter or any other social media site you have, it will look to others the way you intended it to look.

To make this happen, simply retrieve your CMYK cartoon from your documents then go to: Image+Mode+RGB---once this is done  re-save the cartoon. I normally do it by simply adding 'RGB' to the end of whatever it was originally called. And that's it. Your cartoon is now saved for print and the web.

Phew, well there you have it; how I paint a cartoon in Photoshop. If I have the time, the inclination or I can be bothered, I'll be doing a few more of these to show you how more complicated work is rendered.

Until then; happy double clicking and I'll see you all soon.

Cheers

Karl


By the way, if you are in need of books, DVD's, games, electrical goods and you're going to use Amazon to buy them, please click onto it through my site on the banner advert to your right; for every person that does I get a payment from Amazon, and if you order from that click then I get a commission on what you buy. It doesn't cost you a single penny extra but it does help fund this blog, enabling me to carry on giving you free cartoon advice and stories.

Please remember, every click you make helps me entertain you! Thank you



Monday, June 13, 2011

How to draw Cartoons- the basics




And here is yet another how to video.

I've been looking at how many instructors, who purport to being cartoonists, just don't have the first idea on how to teach the novice the basics. I learned through the 'Preston Blair' school of books. He was the animator who worked for most of his life at Disney.

So I'm afraid I'll take his technique any day over some unknown from Idaho

Monday, June 6, 2011

Drawing the heavy---from You Tube



So here's another 'How to' video from my growing You Tube collection.

When I drew the picture below I got asked by a lot of people how to do the big thuggish types so this video tutorial was for them...that and the fact that I like the sight of my own hand, working feverishly away, late on a Sunday night.

If you want to see more just put toonart11 in the search box and the whole lot will come up. You can also go to my channel and subscribe and get all my tutorials and ramblings send direct to your inbox

Don't ya just love technology?!

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